The exchange of ideas between nations during the Enlightenment was greatly facilitated by cultural ventures, commercial enterprise and scientific collaboration. But how were they exchanged? What were the effects of these exchanges on the idea or artefact being transferred? Focussing on contact between England, France and Ireland, a team of specialists explores the translation, appropriation and circulation of cultural products and scientific ideas during the Enlightenment. Through analysis of literary and artistic works, periodicals and official writings contributors uncover: the key role played by literary translators and how they adapted, naturalized and sometimes distorted plays and novels to conform to new cultural norms; the effects of eighteenth-century anglomania, and how this was manifested in French art; how the vagaries of international politics and conflict affected both the cultural products themselves and the modes of dissemination; how religious censorship engendered new Irish Catholic and French Huguenot diasporas, with their particular intellectual pursuits and networks of exchange; the significance of newspapers and periodicals in disseminating new knowledge and often radical philosophical ideas. By exploring both broad areas of cultural activity and precise examples of cultural transfer, contributors to Intellectual journeys reveal the range and complexity of intellectual exchange and its role in the formation of a truly transnational Enlightenment.

Preface Introduction 1. The extent of the problem 2. Gambling and the law 3. The early moralists and the emergence of agreement, 1685-1714 4. Two disputes: Natural Law and theology 5. The later moralists, 1715-1792 6. Moralising through dramatic literature 7. Gambling in the novel Conclusion Select bibliography Index

At the beginning of 1736, Voltaire was at the height of his success, receiving praise from the public and fellow-poets alike. The breathtaking breadth of Voltaire's activity this year ranges from comedy, "L'Enfant Prodigue", and a major philosophical poem, "Le Mondain", to public and private verse, including one of his most arresting satires in "Le Crepinade", aimed at Jean-Baptiste Rousseau. Voltaire relished the diversity of his literary output, as he did the stimulation of his burgeoning scientific interests and lively correspondence. However, despite the popular acclaim, literary quarrels and lawsuits caused continuous tension, forcing Voltaire by the end of the year, to flee France and the 'persecution' his fame had brought him.

This volume brings together works substantially composed in the years 1723 - 1728, a period of bold experimentation for the thirty-year-old Voltaire. An established tragedian, he now branched out in a wholly new direction with his one-act comedy, "L'Indiscret", performed for the first time in August 1725. This is also the period in which, for the first time, Voltaire began to conceive substantial works in prose.